Korean Pop free essay sample

These kinds of dramas’ penetration through modern media brought about the Filipinos’ openness and awareness of the East Asian culture and its entertainment; the â€Å"Asian style† had been well-accepted. Filipinos were only drawn to Koreanovelas, especially when Boys over Flowers, the Korean version of Meteor Garden, was aired on Philippine television. However in early 2009, the *Korean Wave or *Hallyu Wave was born. The Korean wave includes the *viral spread of Korean shows, music and culture, basically, on the field of entertainment. It primarily established its name in the Philippines when Sandara Park, a Korean celebrity who began her career in the said country, debuted on a Korean girl group 2NE1. The response of the Filipinos was overwhelming. The single â€Å"Fire† was played everywhere and it indeed, captured the hearts of the Filipino masses. Later came Super Junior with â€Å"Sorry Sorry† and Wonder Girls with â€Å"Nobody. † It seems like language was not, and had never been, a barrier for fans of the Korean wave. We will write a custom essay sample on Korean Pop or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Through its melody and catchy visuals, the Filipinos, especially the teenagers, perceived the Korean wave and accepted it. Since then, the Korean Wave, as a source of entertainment, has become urgency in Philippine media, satisfying *fandoms all over the country. After it created its name in the Philippines, Korean songs topped and stayed in music charts for weeks. Music companies circulated Korean albums in the country, which became best sellers in music stores. Asia Myx (2009) and Pop Myx: Korean pop Edition (2010) were launched in MYX channel2 as a response to KPop fans’ increasing hunger for *Korean pop media content. The year 2010 marked another milestone for the Korean pop fandom among Filipino teens. Numerous Korean pop groups like Shinee, 4minute, FT Island, Super Junior, U-kiss, Beast, Kim Hyunjoong, and Rain visited the Philippines to perform for their supporters, the Korean pop fandoms. Even little kids know how to dance Psy’s â€Å"Oppa Gangam Style,† which became an instant dance craze. Next year, on January, Girls’ Generation, EXO, Infinite, U-kiss and Tahiti are reported to perform at the Mall of Asia concert grounds. Tickets to the said show were released last Saturday and as expected, thousands of Filipino KPop fans struggled down their way to fulfillment. Fandoms are usually implied to be those crazy, raving fans, mostly female ones, who always stalk (in Korean pop vocabulary, *spazz) their Korean pop idols. They are usually thought of as obsessive, brainless and foolish people. People who criticize them just do not know how passionate these fandoms are. Although they are known for showing their support through watching their Korean pop idols and buying Korean pop merchandise, they go beyond than that; these fandoms also organize parties and charitable events to help the needy and at the same time, to mingle with their fellow KPop fans. Through this, it can be observed that Filipinos form these groups so that they can socialize with other people who also have the same inclinations, as demonstrated by the subculture of KPop fans, in the country, flamed by activities of fandoms. More than a recreation and hobby, for KPop fans, it is their happiness and fulfillment to support their idols. Through a brief research, it has been observed that the Korean wave is popular among many Filipino teenagers because it offers a fresh cultural aspect, encourages self-expression and serves as a psychological and social urgency. Significance of the Study This study was done primarily because of the researcher’s own interest in the subject matter. She was surprised to observe that the Korean Wave already established its name globally for only a short span of time. While she has her personal views and opinions regarding the explanation behind Korean pop’s popularity, she wants to further examine the reasons why Korean wave captured the hearts of other Filipino teenagers. This can aid to the expansion of KPop fans’ views on fandoms and themselves, which can also be helpful in tackling daily decisions in life. This study can also shed light to the negative connotation of being â€Å"brainless† fans for it will seek what it is beneath their obsessions. It can help them gain more confidence and self-expression. Through this, they may not feel neglected members of today’s society. It may even result to the understanding and appreciation for these KPop fans. The study’s findings could contribute to studies relating to media influence and its market. It can also establish the feasibility of the Philippines being a market site of Korean products, which will help KPop fans as well. These can result to good partnerships between the Korean and Philippine industry. Although the Korean Wave has been penetrating the Philippine cultural and entertainment industry, only few resources and studies have been found by the researcher regarding Korean pop and its popularity. The researcher hopes that this analysis can also help to further explore the effects of Korean wave to Filipino teenager fans. Scope of the Study The study focuses generally on the perceptions of different Filipino KPop fans, mostly on their teenage years. It is solely based from interviews made by the researcher and her resources. Although the study attempts to figure out the reason behind numerous Filipino KPop fans’ admiration and strong passion for Korean pop, it does not generalize all the views of the whole population. The study features the understanding and views of Filipino KPop fans not only on Korean Wave’s popularity but also on its embodied culture and benefits. Only three interviews and no surveys were conducted. The researcher interviewed three first year college students who are also Filipino KPop fans: Hysa Guarte and Chelsi Christine Tenorio, both 16 years old and Karren Grace Babiera, 17 years old. The Korean wave is popular among many Filipino teenagers because it offers a fresh cultural aspect, encourages self-expression and serves as a psychological urgency. † We, Filipinos, have our own taste of culture and entertainment. There is no doubt that we have one of the richest cultures in the world. Hospitability and respect, for example, is always exemplified in our actions . Through modern Philippine television shows, and other Filipino media, we express and give away our culture for other people to perceive and appreciate. This goes the same for the Koreans. The Koreans symbolize their culture and traditions through showing Korean dramas, mostly in the classical times and romance-comedy genre etc. Korean language is, of course, largely embedded to the Korean pop media. It also consists of Korean fashion, food, traditions, practices social views etc. This culture becomes the bond that instigates an attraction between the Korean Wave and its Filipino supporters. One of the aforementioned reasons why Filipino fans love and adore Korean pop is because it introduces and offers a new cultural aspect. Korean Pop free essay sample Abstract: This research paper explores the beginning of South Korean Pop music first emerging in the early 1900’s and becoming a global phenomenon. It examines the correlation between lyrical, acoustical values connected to facets of Korean values and cultural influences. The background of instruments, choreography and tempos are uniquely organized giving harmony to Korean music evolution. Lastly, Korean pop has different reactions globally, as its influences in media have both benefits and criticisms. Mirages of smoke appear from the ceiling as glittering confetti showers fall from the sky; audiences sing and dance along as the ground trembles like two tectonic plates colliding. For the first time, after decades from its origin in South Korea, K-pop has emerged as a global phenomenon. The beginnings of Korean pop can be traced back to as early as the late 1800’s. These first songs were based on popular western music; this type of music was called â€Å"changga. We will write a custom essay sample on Korean Pop or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page † â€Å"The popularity and phenomenon of K-pop doesn’t start until the late 1990s, when Lee Soo Man formed SM Entertainment, South Korea’s largest entertainment agency† (Dara Ho June 1). During the 1800’s, these songs emphasized the Korean peoples feelings at the time, especially when there was Japanese rule and oppression, such as the song â€Å"Huimangga†, which translates to hope (Dora Ho June 1). Korean music, like American music is a sole reflection of the times, hardships, and feelings that Korean bands and artists express; in other words, these songs are an embodiment of how musicians feel. For example, in the popular song â€Å"Gangnam Style† by PSY, talks about Gangnam, one of the most affluent upper-class areas in all of South Korea. Gangnam is similar to Wall Street of New York, where the neighborhoods are full of wealthy, privileged people, who are seen monopolizing the country’s business and economical systems. Furthermore, Shinee a South Korean artist, writes songs about religion. In his song, â€Å"Lucifer†, he talks about the devil and how society and people are trapped in demonic spells, lust, and tricks created by him. From K-pop songs, we can see that religious traditions and teachings, such as avoiding the seven deadly sins, are prevalent. Also, previously mentioned, the lyrics expressed  in the song â€Å"Huimangga† show the feelings of Korean people about the rebellion at the time of Japanese imperial rule andoppression. Korean pop songs are extremely catchy, containing harmonious vocals and melodic beats, simultaneously paired with appealing dance choreography. This type of music is also identified hand in hand with Korean drama (genre of TV). Instruments used in K-pop are vastly similar to those used in Western Hip hop including: keyboards, violins, bass, and guitars. K-POP concerts and performances involve vibrant laser and blinding strobe effects, captivating a variety of audiences from teens to adults. What is interesting is that performers and artists learn a comprehensive amount of skills. â€Å"Trainees hone their voices†¦ shape their bodies through exercise and even study multiple languages, artists must go through rigorous training camps and auditions to gain a spot in the industry† (Dora Ho June 1). Long periods of rigorous training are intertwined with their culture because from a young age, Korean culture emphasizes the importance of education and academics. Notable are the number of criticisms that are associated with Korean Pop: its negative portrayal of beauty, and its mimicking western society. â€Å"K-pop slavishly copies from the boy, girl- band that began in the US 20 years ago and crossed-over to Japan†¦ K-pop is a blatant rip-off of successful foreign models and reflects depressingly widespread Korean ‘copy-culture’, where value comes from cloning not originality† (Kelly September 2012). K-pop is viewed as mimicking all of Western Society; it is seen as just cloning other genres of music, lacking originality. Bloggers like Kelly argue, â€Å"intellectual property and copyright are all ignored here.† Another perception of Korean Pop music is that it is hazardous and a plague to modern society. Men (masculine women) wear long dangling earrings, rings, and brightly colored neon-yellow shorts. According to Sinnott, observation from the etic perspective, it is seen that these males often have long highlighted-layered hair, arguing that the men are starting to resemble homosexual women. â€Å"This style of dress was ubiquitous of the nightclubs in Bangkok in 2009 that catered to young queer women†¦ Thai-language magazine frames K-pop style specially into an aesthetic for masculine-identifying women† (Megan Sinnott Dec 2012). This shows that this particular sense of subjective â€Å"questionable† male-style is dominating the globe in regions like China and even Thailand. The majority of K-pop bands and singers dress in a  flamboyant sense, and possess admirable traits such as: being tall, slender, attractive, and â€Å"flawless†. This brings forth the controversial topic of plastic surgery; in the past decade, South Koreans began engaging in plastic surgery. Globally, It’s generally believed that beauty is needed to succeed in the entertainment industry; you must be beautiful, meaning you must have the aforementioned features that define beauty (Jeannette Francis March 19). The popularity of plastic surgery has heightened to extremes in South Korean culture. It is perceived that â€Å"beauty† is not in the eye of the beholder, but there is a widespread belief in Korea that a person must be â€Å"beautiful† to succeed in life or to get potential marriage partners. There are even stories about girls receiving plastic surgery as graduation presents, arguably shaping a generation that is fake. â€Å"South Korea has the highest rate of cosmetic procedures per capita in the world. Some reports place the number of South Korean women who have had cosmetic procedure at one in five† (Jeannette Francis March 19). Subjective or not, it is without question, that this society is obsessed with looks and are vastly superficial. This perceived ideal of beauty is starting to affect many other societies, and could be a negative influence. Despite the negative criticisms placed on Korean Pop, it is an amazing catalyst for economic expansion and recognition for South Korean society. â€Å"Rain’s breakthrough into the US market †¦ â€Å"we’re targeting the global market. Rain’s too big for Asia† (SHIN Hyunjoon November 2009). As declared by Shin, Korean-pop has started to infiltrate the U.S, and even globalized in all of Asia around 2005. Rain, one of the notable Korean pop artists, appeared in Time Magazine’s top 100 Most Influential People, in as early as 2006. S.M entertainment, a music record company, has continued to receive positive trending gains in profits throughout the years. In 2008 profits were only 42.5 million; however, recently with PSY’s exposure, the revenues are exceeding 217 million dollars. In fact, it is approximated that revenues are nearly 7 billion dollars in the South Korean music industry alone. The taxes and revenue increases are a correlation of how well Korean society is doing compared to other countries. In Korea’s globalized society, there are now more culture clubs, organized in many areas of the world. This expansion has created more communities that unite for a specific purpose, to discuss  Korean Pop. During the past few months, Korean Pop music was on popular radio broadcast stations such as KIIS FM, and throughout multiple parts of the United States. An amazing change also affects South Korean culture, the rise of nationalism. â€Å" Since Korea has never enjoyed regional as well as international acclaim for its popular culture, the transitional recognition of its pop culture has become a point of national pride in Korea† (Jeong Suk Joo Nov 2011). This term is coined â€Å"pop nationalism.† Korean society is now using terms such as â€Å"Hallyu-wood†, the combination of the words Korean Wave and Hollywood. Koreans are celebrating their culture values and even creating a theme park similar to Hollywood with streets, hotels, and shops named after Korean stars. The government is encouraging exporting their cultural context to other parts of the world. â€Å" †¦ Indicate the localization strategy of transnational corporations in order to make their products more palatable to Asians by using Asian talents† (Jeong Suk Joo 2011). This promotes nationalism and ties in with South Korean economic growth as well. The most influential breakthrough is that South Korea, once a small country non-existent to the rest of the world, is now a global power. With its great influence in media and technological advances, it is definitely recognized with popular names such as: Hyundai and Samsung. Psy, a Korean pop icon, is breaking new ground with his upbeat song â€Å"Gangnam Style†, his music video passing one billion views on YouTube. This viral video has been globally recognized and gives him tremendous success. He appears on popular television shows such as Ellen DeGeneres. Park Geun Hye, President of South Korea, even called PSY patriotic! Without a doubt, South Korea’s pop culture reflects their cultural values and society. Now spreading like wildfire, talented artists like PSY are being called global phenomenon.

Economic Analysis of Germany

Economic Analysis of Germany Major macro-economic indicators 2010 2011 2012 2013(f) GDP Growth (%) 3.6% 2.7% 3.1% 0.9% Inflation (Yearly average) (%) 1.1% 2.2% 1.99% 1.3% Budget balance (% of GDP) 4.2% 0.8% 0.2% 0.4% Current account balance (% of GDP) 6.11% 5.63% 5.65% 5.69% Public debt (% of GDP) 83.4% 81.5% 83% 81% Strengths Germany is characterized by a thriving export industry, strict discipline on fiscal matters and industrial relations and welfare policies which are driven by consensus among all parties. The country is specifically associated with goods of high quality and goods that are high-tech. It also practices a social market economy which is characterized by a combination of free enterprise and competition that concentrates on high level of social services.Advertising We will write a custom case study sample on Economic Analysis of Germany specifically for you for only $16.05 $11/page Learn More Germany’s economy is ranked third largest in the world in t erms of market exchange rates and fifth largest one in terms of purchasing power parity. There is social understanding and cohesion among employers and employees, and the workers union representatives negotiate with executives of corporate companies in boardrooms. This system is referred to as co-determination. Germany is also credited with having the largest coal deposits among the European Union countries, estimated at 7.4 billion short tons. This state has also put in place a highly developed transport and communications network which helps in transportation of goods and services (Merikas Merika, 446). Weaknesses Germany as a country does not have a lot of natural resources and therefore relies on importing them from other countries to fuel its manufacturing industry. A large percentage of the country’s population is ageing and this has put a lot of pressure on the country’s high welfare and spending on universal health provision. Unfavorable geological conditions make the mining of hard coal economically unviable. The country’s economy is over regulated in an attempt to protect the locals from international competition and the government has been accused of strong resistance to change (Merikas MErika, 447). Risk assessment The country is categorized as a CRT-1 country which has very low risk levels in all the three risk categories i.e. political risks, economic risks and financial system risks. In 2009, the country’s economy went under recession and recorded a sharp decrease of 5% in real GDP. After the recession, the country was able to recover but has been on a downward trend and growth has slowed down to 0.6% in the year 2012. This is caused by weak global demand for exports and the risks and uncertainties brought about by the Euro zone debt crisis (Ewing, par 10). Efforts to stem high unemployment and low average economic growth During the period beginning1998 to 2005, the government of Germany, under the leadership of Cha ncellor Gerhard Schroeder, came up with various reforms to try and control the increasing unemployment in the country and to put some energy into economic growth recovery. These reforms led to strong growth in the economy which was recorded in the years 2006 and 2007 and the falling unemployment rate during the same years.Advertising Looking for case study on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More In 2008 and 2009, the government of Germany under the leadership of the then Chancellor, Angela Merkel came up with a stimulation programs and stabilization strategies to further rescue the failing economy. These efforts resulted in an increase of budget deficit in 2010 to a level of 3.3%. To control the budget deficit, the government introduced high tax revenues and reduced the overall expenditure. This lowered the deficit to 1.7% in 2011. This rate was below the 3% limit established by the European Community . In an attempt to limit the budget deficit, the government passed an amendment to the constitution in 2009 which was aimed at ensuring that the deficit would not go beyond 0.35% of GDP by the year 2016 (Ewing, par 7). Ewing, Jack. â€Å"In Germany, a Limp Domestic Economy Stifled by Regulation.† The New York Times. 22 Feb. 2012. Web. https://www.nytimes.com/2012/02/23/business/global/in-germany-a-limp-domestic-economy-stifled-by-regulation.html Merikas, Andreas and Anna Merika. â€Å"Stock Prices Response to Real Economic Variables: The case of Germany. Managerial Finance, 32.5 (2006): 446-450. Print.